A freshly coined term surfaced a few months following the onset of the intensive bombing of Gaza by Israel. Referred to as WCNSF, it signifies “Child casualty without any family left”. This designation is unique to Gaza, as stated by health professionals such as child health specialists. Ordinarily, it is rare for doctors to care for a young patient who has lost their whole family. However, there has been nothing “normal” about the genocide in Gaza, where entire family lineages have been wiped out and the number of child amputees exceeds that of any other region in the world. Nothing ordinary about numerous doctors arriving back from a devastated terrain with reports of children being intentionally shot at.
Gaza remains hell on earth. Essential medical supplies are failing to reach those in need, and groups like Amnesty International contend that atrocities are continuing. Authorities has denied these accusations, just as it denies all charges it is implicated in. But while traumatised orphans are now suffering from the cold in makeshift tent camps, there is a piece of uplifting information: apparently nothing is going to stop the Eurovision song contest from pursuing its stated mission of “togetherness and cultural exchange.” Eurovision will continue to extend a blood-red carpet for Israel, although a number of European countries have now boycotted in dissent. Because this, apparently, is what international harmony looks like.
The contest, notably prohibited Russia from competing in 2022 because of the “serious conflict in Ukraine”. However, the situation in Gaza seems treated differently.
Overlook the circumstance that Israel was alleged to have used questionable voting tactics last year in what seems to have been an effort to politicise Eurovision. Set aside the news that a three-year-old girl was reportedly killed in Gaza on a recent Sunday. Pay no mind to the evidence that aggression from Israeli settlers and systematic expulsions in the West Bank have surged. Disregard the condition that international journalists are still prevented from unfettered access in Gaza. None of this, evidently, should be allowed to get in the way of Eurovision’s cherished spirit of unity.
The contest turns 70 next year – roughly two times the projected longevity of someone in Gaza at present. The broadcast will air, but it will likely never recapture the whimsical pleasure it was formerly known for. An institution that initially championed harmony has devolved into a blatant mechanism to sanitize military aggression.
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